Untitled (Tim) was developed using a layered photographic process that began with studio portraits printed on Epson matte paper. Warner printed multiple frames from the original session and physically manipulated them before scanning each print on a flatbed scanner. The combined expressions were then composited and refined digitally in Photoshop.

The result is an image that merges time, perspective, and gesture into a single visual form. Through this analog-to-digital process, Warner explores how memory and identity can coexist within one reconstructed moment.